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Infants of the Spring - UMass Amherst Mainstage - Rand Theater
Lighting: Tamara Harris - Costumes: Yao Chen
Scenic Design
Scenic Design
Resume
Scenic design
Baltimore by Kirsten Greenidge | Dir. Joshua Glenn-Kayden | UMass Amherst Rand Theater
Next to Normal by Brian Yorkey and Tom Kit | Dir. Brennan Stefanik | UMass Amherst Curtain Theater
Bare: A Pop Opera by Damon Intrabartolo and Jon hartmere Jr. | Dir. Erin Hamilton | UMass Amherst Curtain Theater
Wild Thing Translated by Harley Erdman | Dir. Gina Kaufmann| UMass Amherst Rand Theater
Wild Thing Translated by Harley Erdman | Dir. Gina Kaufmann| Siglo de Oro Festival, El Paso, Texas
Jesus Hopped the A Train by Stephen Adly Guirgis | Dir. Tyler Dibenedetto| UMass Amherst Arts Bridge
Infants of the Spring by Ifa Bayeza | Dir. Ifa Bayeza| UMass Amherst Curtain Theater
design Assistant
The Firebird Choreographed by: Balenchine (Jerome Robbins) | Designer: Anya Klepikov | Miami City Ballet
The Wolves by Sarah DeLappe| Designer: Anya Klepikov| Syracuse Stage
Seared By: Theresa Rebeck | Designer: Anya Klepikov | Gloucester Stage Company
Who's Afraid of Virginia Woolf by Edward Albee| Designer: Anya Klepikov| Triad Stage, NC
Props SUPERVISOR
Doubt: a parable by John Patrick Shanley| Designer: Charlie Corcoran| Westport Country Playhouse
Mountaintop by Katori Hall | Designer: Lindsay Fuori| Music Theatre of Connecticut
Who's Holiday by Matthew Lombardo | Designer: Lindsay Fuori| Music Theatre of Connecticut
Falsettoland by James Lampine| Designer: Lindsay Fuori| Music Theatre of Connecticut
Tenderly by Janet Yates Vogt and Mark Friedman | Designer: Lindsay Fuori| Music Theatre of Connecticut
TRU by Jay Presson Allen | Designer: Lindsay Fuori| Music Theatre of Connecticut
Bare: A Pop Opera by Damon Intrabartolo and Jon hartmere Jr. | Scenic Design: Sean Sanford | UMass Amherst Curtain Theater
Wild Thing Translated by Harley Erdman | Scenic Design: Sean Sanford | UMass Amherst Rand Theater
Snowflakes, or Rare White People by Dustin Chinn | Scenic Design: Xinyuan Li | UMass Amherst Rand Theater
Assoc. Props Supervisor
Don Juan by Brendan Pelsue| Prop Sup: Karin White | Dir: David Kennedy | Westport Country Playhouse
Sanctuary City by Martyna Majok | Prop Sup: Karin White | New York Theater Workshop
Props assistant
Christmas Carol in Harlem by Shawn René Graham | Prop Sup: Samantha Shoffner | Classical Theater of Harlem
Underlying Chris by Will Eno | Prop Sup: Samantha Shoffner | 2nd Stage, NYC
Man of La Mancha by Dale Wasserman and Mitch Leigh | Prop Sup: Samantha Shoffner | Westport Country Playhouse
The Understudy by Theresa Rebeck | Prop Sup: Alison Mantilla | Westport Country Playhouse
A Flea in Her Ear by David Ives | Westport Country Playhouse
Flyin' West by Pearl Cleage | Prop Sup: Alison Mantilla | Westport Country Playhouse
The Lily's Revenge by Taylor Mac | Prop Sup: Barbara Neulinger | UMass Amherst FAC
Scenic Paint Charge
Wild Thing Translated by Harley Erdman | Scenic Design: Sean Sanford | UMass Amherst Rand Theater
Bare: A Pop Opera by Damon Intrabartolo and Jon hartmere Jr. | Scenic Design: Sean Sanford | UMass Curtain Theater
Jesus Hopped the A Train by Stephen Adly Guirgis | Scenic Design: Sean Sanford| UMass Amherst Arts Bridge
Scenic Paint Asst.
Mlima's Tale by Lynn Nottage | Scenic Charge: Jess Ploszaj| Westport Country Playhouse
Man of La Mancha by Dale Wasserman and Mitch Leigh | Scenic Charge: Jess Ploszaj | Westport Country Playhouse
The Understudy by Theresa Rebeck | Scenic Charge: Jess Ploszaj | Westport Country Playhouse
A Flea in Her Ear by David Ives | Scenic Charge: Jess Ploszaj | Westport Country Playhouse
The Lily's Revenge by Taylor Mac | Scenic Charge: Barbara Neulinger | UMass Amherst FAC
Hand to God by Robert Askins| Scenic Charge: Jess Ploszaj | TheaterWorks, Hartford, CT
skills
Vectorworks - Advanced 2D + 3D Drafting, 5 years experience
AutoCAD - Advanced 2D Drafting, 2 years experience
Software Learning - Self taught AutoCAD in 1 week, very comfortable w/ new software
Laser Cutting - Glow-forge and CriCut, confident in learning other types
Organization and Presentation - Between technical drafting, prop research/tracking, design presentations, and a fine-art background, I prioritize the precision, clarity and professional presentation of all of my work.
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