Resume

Scenic design

Baltimore  by Kirsten Greenidge | Dir. Joshua Glenn-Kayden | UMass Amherst Rand Theater

Next to Normal  by Brian Yorkey and Tom Kit | Dir. Brennan Stefanik | UMass Amherst Curtain Theater

 

Bare: A Pop Opera  by Damon Intrabartolo and Jon hartmere Jr. | Dir. Erin Hamilton | UMass Amherst Curtain Theater

Wild Thing  Translated by Harley Erdman | Dir. Gina Kaufmann| UMass Amherst Rand Theater

Wild Thing  Translated by Harley Erdman | Dir. Gina Kaufmann| Siglo de Oro Festival, El Paso, Texas

Jesus Hopped the A Train  by Stephen Adly Guirgis | Dir. Tyler Dibenedetto| UMass Amherst Arts Bridge

Infants of the Spring  by Ifa Bayeza | Dir. Ifa Bayeza| UMass Amherst Curtain Theater

design Assistant

The Firebird Choreographed by: Balenchine (Jerome Robbins) | Designer: Anya Klepikov |  Miami City Ballet

The Wolves  by Sarah DeLappe| Designer: Anya Klepikov| Syracuse Stage

Seared  By: Theresa Rebeck  | Designer: Anya Klepikov | Gloucester Stage Company 

Who's Afraid of Virginia Woolf  by Edward Albee| Designer: Anya Klepikov| Triad Stage, NC

Props SUPERVISOR

Doubt: a parable  by John Patrick Shanley| Designer: Charlie Corcoran| Westport Country Playhouse

Mountaintop  by Katori Hall | Designer: Lindsay Fuori| Music Theatre of Connecticut

Who's Holiday  by Matthew Lombardo | Designer: Lindsay Fuori| Music Theatre of Connecticut

Falsettoland  by James Lampine| Designer: Lindsay Fuori| Music Theatre of Connecticut

Tenderly  by Janet Yates Vogt and Mark Friedman | Designer: Lindsay Fuori| Music Theatre of Connecticut

TRU  by Jay Presson Allen | Designer: Lindsay Fuori| Music Theatre of Connecticut

Bare: A Pop Opera by Damon Intrabartolo and Jon hartmere Jr. | Scenic Design: Sean Sanford | UMass Amherst Curtain Theater

Wild Thing  Translated by Harley Erdman | Scenic Design: Sean Sanford | UMass Amherst Rand Theater

Snowflakes, or Rare White People  by Dustin Chinn | Scenic Design: Xinyuan Li | UMass Amherst Rand Theater

Assoc. Props Supervisor

Don Juan  by Brendan Pelsue| Prop Sup: Karin White | Dir: David Kennedy | Westport Country Playhouse

Sanctuary City  by Martyna Majok | Prop Sup: Karin White | New York Theater Workshop

Props assistant

Christmas Carol in Harlem  by Shawn René Graham | Prop Sup: Samantha Shoffner | Classical Theater of Harlem

Underlying Chris  by Will Eno | Prop Sup: Samantha Shoffner | 2nd Stage, NYC

Man of La Mancha  by Dale Wasserman and Mitch Leigh | Prop Sup: Samantha Shoffner | Westport Country Playhouse

The Understudy  by Theresa Rebeck | Prop Sup: Alison Mantilla | Westport Country Playhouse

A Flea in Her Ear  by  David Ives | Westport Country Playhouse

Flyin' West  by Pearl Cleage | Prop Sup: Alison Mantilla | Westport Country Playhouse

The Lily's Revenge  by Taylor Mac | Prop Sup: Barbara Neulinger | UMass Amherst FAC

Scenic Paint Charge

Wild Thing  Translated by Harley Erdman | Scenic Design: Sean Sanford | UMass Amherst Rand Theater

Bare: A Pop Opera by Damon Intrabartolo and Jon hartmere Jr. | Scenic Design: Sean Sanford | UMass Curtain Theater

Jesus Hopped the A Train  by Stephen Adly Guirgis | Scenic Design: Sean Sanford| UMass Amherst Arts Bridge

Scenic Paint Asst.

Mlima's Tale  by Lynn Nottage | Scenic Charge: Jess Ploszaj| Westport Country Playhouse

Man of La Mancha  by Dale Wasserman and Mitch Leigh | Scenic Charge: Jess Ploszaj  | Westport Country Playhouse

The Understudy  by Theresa Rebeck | Scenic Charge: Jess Ploszaj | Westport Country Playhouse

A Flea in Her Ear  by  David Ives | Scenic Charge: Jess Ploszaj | Westport Country Playhouse

The Lily's Revenge  by Taylor Mac | Scenic Charge: Barbara Neulinger | UMass Amherst FAC

Hand to God  by  Robert Askins| Scenic Charge: Jess Ploszaj | TheaterWorks, Hartford, CT

skills

Vectorworks -  Advanced 2D + 3D Drafting, 5 years experience

AutoCAD -  Advanced 2D Drafting, 2 years experience

Software Learning -  Self taught AutoCAD in 1 week, very comfortable w/ new software

Laser Cutting -   Glow-forge and CriCut, confident in learning other types 

Organization and Presentation -   Between technical drafting, prop research/tracking, design presentations, and a fine-art background, I prioritize the precision, clarity and professional presentation of all of my work.